Steven Avery
Administrator
Quite surprisingly, a 1982 book by James Keith Elliott is often referenced as if it is the authoritative work on the question of Sinaiticus authenticity. This post will briefly summarize its major deficiencies. Even in 1982, important material was missed, but today we have a wealth of new and important information. And thus we will show how the book is close to totally irrelevant in seeking to understand Codex Sinaiticus is 2016 (and on to today.)
One aspect of the book is discussed here:
Stanley E. Porter summarizes James Keith Elliott to have 10 authenticity reasons.
https://www.purebibleforum.com/index.php/threads/b.177
================
ONE EXAMPLE
Here are two questions I recently asked on CARM, that can help get to the heart of some of the Simonides issues:
1) If Simonides knew nothing about Sinaiticus, how could he report the artificial colouring of the manuscript about which he knew nothing of the provenance, colour and condition?
2) And, when we discover in 2009-to-today that the actual ms condition fits his report to a "T" (by matching the difference in the TWO PARTS of the manuscript, an absolutely amazing and powerful corroboration, not available till now) ... why not acknowledge the obvious truth?
Yet questions like these can not even be remotely addressed by James Keith Elliott. To be fair, he was not even aware of the colour disparity, so his analysis at best can be sketchy.
Moreover, Elliott was unable to look at the issues as a forensic historian, and asked the wrong questions. (He fell into the normal trap that if there were holes in the Simonides explanations, his story should be rejected, a standard not used for the Tischendorf myths.)
And as a researcher, Elliott had failed at one critical point: nothing from the James Anson Farrer Literary Forgeries was included. This was the most important Simonides discussion in the century before the 1982 writing, and Elliott missed it totally. (I recently wrote to Elliott, asking why it was omitted, was he aware of the book? .. no response.)
Added below:
A second inquiry in Feb 2018 did receive a nice response.
Elliott wrote that he did not know of the work at the time.
===============
Steven Avery
PS. When the above received fuzz and buzz I rewrote it to make the question simpler.
=============================
Look at the two parts of the manuscript.
a) the 1844 Leipzig is white parchment (even snow-white, per Dobschutz in 1910). All 86 pages are given the same colour number.
b) the 1859 British Library is yellow, with variance from leaf to leaf (even an abnormally "exceptional" amount of variance)
In the composite picture you can see the exact leaves of 1844, the two sections. They immediately.stand out in the sea of yellow.
c) colouring of the 1859 manuscript by hand would produce that exact effect, and colouring of the manuscript by hand was pointed out by Simonides ..
d) this accusation of colouring was made WITHOUT, supposedly, Simonides seeing anything of the manuscript, other than, possibly, the uncoloured part in Leipzig, 1856.
Is there any part of A-B-C-D with which you disagree?
=============================
If not, we have the conclusion that Simonides was working with "inside info" .. or he simply made a one in a gazillion stab in the dark, with no rhyme or reason. And if he was working with inside info, and the manuscript was coloured, every part of the current vulgate version of the ms should be scrapped, and we start fresh.
=============================
One aspect of the book is discussed here:
Stanley E. Porter summarizes James Keith Elliott to have 10 authenticity reasons.
https://www.purebibleforum.com/index.php/threads/b.177
================
ONE EXAMPLE
Here are two questions I recently asked on CARM, that can help get to the heart of some of the Simonides issues:
1) If Simonides knew nothing about Sinaiticus, how could he report the artificial colouring of the manuscript about which he knew nothing of the provenance, colour and condition?
2) And, when we discover in 2009-to-today that the actual ms condition fits his report to a "T" (by matching the difference in the TWO PARTS of the manuscript, an absolutely amazing and powerful corroboration, not available till now) ... why not acknowledge the obvious truth?
Yet questions like these can not even be remotely addressed by James Keith Elliott. To be fair, he was not even aware of the colour disparity, so his analysis at best can be sketchy.
Moreover, Elliott was unable to look at the issues as a forensic historian, and asked the wrong questions. (He fell into the normal trap that if there were holes in the Simonides explanations, his story should be rejected, a standard not used for the Tischendorf myths.)
And as a researcher, Elliott had failed at one critical point: nothing from the James Anson Farrer Literary Forgeries was included. This was the most important Simonides discussion in the century before the 1982 writing, and Elliott missed it totally. (I recently wrote to Elliott, asking why it was omitted, was he aware of the book? .. no response.)
Added below:
A second inquiry in Feb 2018 did receive a nice response.
Elliott wrote that he did not know of the work at the time.
===============
Steven Avery
PS. When the above received fuzz and buzz I rewrote it to make the question simpler.
=============================
Look at the two parts of the manuscript.
a) the 1844 Leipzig is white parchment (even snow-white, per Dobschutz in 1910). All 86 pages are given the same colour number.
b) the 1859 British Library is yellow, with variance from leaf to leaf (even an abnormally "exceptional" amount of variance)
In the composite picture you can see the exact leaves of 1844, the two sections. They immediately.stand out in the sea of yellow.
c) colouring of the 1859 manuscript by hand would produce that exact effect, and colouring of the manuscript by hand was pointed out by Simonides ..
d) this accusation of colouring was made WITHOUT, supposedly, Simonides seeing anything of the manuscript, other than, possibly, the uncoloured part in Leipzig, 1856.
Is there any part of A-B-C-D with which you disagree?
=============================
If not, we have the conclusion that Simonides was working with "inside info" .. or he simply made a one in a gazillion stab in the dark, with no rhyme or reason. And if he was working with inside info, and the manuscript was coloured, every part of the current vulgate version of the ms should be scrapped, and we start fresh.
=============================
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