Steven Avery
Administrator
This is from the pseudo-review by Bill Brown (a fella who "learned" textual criticism from Daniel Wallace) of the book by David W. Daniels.
Is the "World's Oldest Bible" a Fake?
https://www.chick.com/catalog/books/1442.asp
Placed on the contra forum. And I was hoping Bill Brown had found something interesting here that we had missed.
Emphasis added:
This was curious. First, Logic 101, a difference in scribe A and D does not equate to the British Library compared to Leipzig!
And Skeat was only working with the British Museum pages, and afawk he did not even see the Leipzig pages. So, within the British Library pages, did Skeat really say there was a difference in colour between scribe A and scribe D?
It is true that the British pages are wild, while the Leipzig pages are uniform (one contributory part of the proof of the colour tampering.) Yet, had Skeat discerned a colour pattern within the Brit pages? That would be very interesting.
The Leipzig pages are mostly scribe A, although this page is scribe D:
http://codexsinaiticus.org/en/manus...lioNo=4&lid=en&quireNo=37&side=r&zoomSlider=0
We go to Skeat and Milne, Scribes and Correctors of the Codex Sinaiticus, 1938, and we find NOTHING that matches the conclusion of Bill Brown.
Nothing at all about a different colour in the sheets of the two scribes.
And, a bit more Logic 101, the aging and yellowing of the manuscript, the colouring, would not have been there in 350 AD, it would happen in the ensuing 1650 years. If Sinaiticus was in fact an ancient ms.
The colour tampering is a real problem for Sinaiticus authenticity defenders.
They come up with some really wild doozies.
Is the "World's Oldest Bible" a Fake?
https://www.chick.com/catalog/books/1442.asp
Placed on the contra forum. And I was hoping Bill Brown had found something interesting here that we had missed.
Emphasis added:
Bill Brown on contra forum
.. Milne and Skeat touched on one of their supposed "proofs" of darkening. "There are also a number of brown stains, perhaps due to drops of oil or grease from the lamps and candles of pious readers in the past" (71). They even note the ink has run due to water spots. They further discuss the fact that it was necessary to remove the glossy surface of the animal skins so that the writing would be sustained on vellum. They point out that both medieval AND modern scribes used a variety of substances, including "powdered pumice, powdered cuttle-fish bone, sandarac, chalk, whiting, &c. or combinations of these." They go further in noting that "the harsh scouring of the pages suggests fine sand" (79) and that this treatment, known as pouncing, was actually done by the scribe in the fourth century, which explains the difference in color between those pages written by scribe A and those written by scribe D.
This was curious. First, Logic 101, a difference in scribe A and D does not equate to the British Library compared to Leipzig!
And Skeat was only working with the British Museum pages, and afawk he did not even see the Leipzig pages. So, within the British Library pages, did Skeat really say there was a difference in colour between scribe A and scribe D?
It is true that the British pages are wild, while the Leipzig pages are uniform (one contributory part of the proof of the colour tampering.) Yet, had Skeat discerned a colour pattern within the Brit pages? That would be very interesting.
The Leipzig pages are mostly scribe A, although this page is scribe D:
http://codexsinaiticus.org/en/manus...lioNo=4&lid=en&quireNo=37&side=r&zoomSlider=0
We go to Skeat and Milne, Scribes and Correctors of the Codex Sinaiticus, 1938, and we find NOTHING that matches the conclusion of Bill Brown.
CONDITION, REPAIR AND BINDING
8. POUNCING
To give the writing a hold on the vellum it was necessary to remove as far as possible the glossy, greasy surface common to all newly prepared skins. This was done by roughing with an abrasive the area intended for writing. Medieval-1 and modern-2 scribes have advocated a variety of substances—powdered pumice, powdered cuttle-fish bone, sandarac, chalk, whiting, &c., or combinations of these, but it is of course impossible to say what was used on the Sinaiticus; the harsh scouring of some of the pages suggests fine sand.
That the pouncing was done by the scribe himself as he went along can be inferred from the changes in its appearance, notably between the pages written by A and those written by D; scribe A rubbed the powder up and down the page, making a curious swerve in the upper margin; D worked more carefully, keeping his lines strictly perpendicular, while there are often traces of a further pouncing at right angles (i.e. horizontally). Scribe B’s practice presents no marked characteristics.
Nothing at all about a different colour in the sheets of the two scribes.
And, a bit more Logic 101, the aging and yellowing of the manuscript, the colouring, would not have been there in 350 AD, it would happen in the ensuing 1650 years. If Sinaiticus was in fact an ancient ms.
The colour tampering is a real problem for Sinaiticus authenticity defenders.
They come up with some really wild doozies.
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